About
Patty Larkin has always prided herself in her creative approach to music. With Watch The Sky, Larkin has created a one of a kind release that she wrote, produced, engineered and edited. Larkin wrote and recorded much of the material as it came to her, assembling tracks and sounds as she went. The result is a raw, intimate gorgeous sound that is all her own. Here Larkin has experimented with a...
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Patty Larkin has always prided herself in her creative approach to music. With Watch The Sky, Larkin has created a one of a kind release that she wrote, produced, engineered and edited. Larkin wrote and recorded much of the material as it came to her, assembling tracks and sounds as she went. The result is a raw, intimate gorgeous sound that is all her own. Here Larkin has experimented with a kaleidoscope of sounds, from her "slapsteel" guitar (lap steel detuned, played with drumstick and hand) to the "baribow," an organic take on a string section, played on electric baritone guitar with a child's violin bow. The concept of combining acoustic instruments with modern technology has always intrigued Larkin, and she accomplishes this feat gracefully on SKY. John Gorka - Godfrey Daniels is one of the oldest and most venerable music institutions in eastern Pennsylvania. A small neighborhood coffeehouse and listening room, it has long been a hangout for music lovers and aspiring musicians, and in the late 1970s, one of these was a young Moravian College student named John Gorka. Soon he found himself living in the club’s basement and acting as resident M.C. and soundman, encountering legendary folk troubadors like Canadian singer/songwriter Stan Rogers, Eric Andersen, Tom Paxton and Claudia Schmidt. Their brand of folk-inspired acoustic music inspired him, and before long he was performing his own songs — mostly as an opener for visiting acts. Soon he started traveling to New York City, where Jack Hardy's legendary Fast Folk circle became a powerful source of education and encouragement. Folk meccas like Texas' Kerrville Folk Festival (where he won the New Folk Award in 1984) and Boston followed, and his stunningly soulful baritone voice and emerging songwriting began turning heads. Those who had at one time inspired him — Suzanne Vega, Bill Morrissey, Nanci Griffith, Christine Lavin, Shawn Colvin — had become his peers.
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